Recently and largely by accident, the field research of historians and others in the science of humanities has brought back to the attention of the public the existence of some paintings, writings, works of architecture and other materials long forgotten and thought lost. These works have stimulated the formation of small, club-like enclaves of like-minded persons called bohemian demimondes, who have more or less secretly taken upon themselves the project of reconstructing one or another art discipline. Our studio is such a bohemian demimonde.